This image presents the female body as an object of art. This kinetic image abandons the tradition of carefully posed limbs and deliberately arranged hair. Figurative artists have long portrayed the unpredictable nature of human movement. Dance, in particular, has been a favorite motif.
Twentieth-century artists influenced in this approach to a dancer as subject. Examples include Edgar Degas, Pablo Picasso, and Henri Matisse. Degas captured individual dancers in paintings and sculpture.
Noteworthy to the meaning of this image is the lack of additional dancers or a partner. An individual dancer is distinct from either a dancing pair or a troupe of dancers moving in coordination. The individual expresses independence and spontaneity. She is not part of a group of following the lead of another. Nor does she lead.
Jorgie is a dynamo of posing energy. Here, she is captured mid-dance, leaping in the air in front of a bank of ice-blue glass blocks that glow with the brilliant light of the outdoors. Her body language screams of strength. Her golden skin signifies her vibrant spirit. The warm tones of her figure contrast with the turquoise grid behind her.
Shot with a glass block window in an old warehouse in Charlotte, North Carolina (US). This space was a painting studio and had ample space and natural light, both of which were conducive to creativity.
The color palette is restrained to just a few hues. Although the colors are conceivable, they deviate from reality, applied deliberately across areas on the image. The image consists of two planes: that of the figure and the nearby backdrop. All of these compositional factors simplify the visual presentation. As a result, we are encouraged us to focus on the female body as an object of art.